The Disgraceful Mr. Ravenhurst
Praise for Louise Allen’s
Those Scandalous Ravenhursts
The Dangerous Mr. Ryder
“Allen’s latest adventure romance is a roller-coaster ride that sweeps readers through Europe and into the relationship between a very proper baroness and a very improper spy. The quick pace and hold-your-breath escape plans turn this love story into a one-night read that will have you cheering for the appealing characters.”
—Romantic Times BOOKreviews
The Outrageous Lady Felsham
“Allen’s daring, sexy and, yes, outrageous spin-off of The Dangerous Mr. Ryder gently borders on erotic romance because of the manner in which she plays out her characters’ fantasies (including a marvelous bear rug!) without ever losing sight of Regency mores.”
—Romantic Times BOOKreviews
The Shocking Lord Standon
“Allen continues her collection of novels centering on the ton’s scandalous activities with another delightful and charming Ravenhurst story of love and mayhem.”
—Romantic Times BOOKreviews
Coming soon
THE NOTORIOUS MR. HURST—August 2009
THE PIRATICAL MISS RAVENHURST—September 2009
For AJH for his selfless assistance in researching
the food and wine of Burgundy
Author Note
In the course of their courtship Ashe Reynard informed Belinda Felsham (The Outrageous Lady Felsham) that she should stop matchmaking for her bluestocking cousin Elinor because what Elinor needed was someone who could match her intelligence.
The problem was, where could Elinor—firmly on the shelf—find such a man? One who would see past the drab gowns and meek studiousness to the warm, loving, adventurous woman inside? Especially when she was convinced she did not want a man at all.
And then there was Theo Ravenhurst, in disgrace and, so his mother kept insisting, off on the Grand Tour. Only I had my suspicions that Theo was not pursuing a blameless course around the cultural sights of Europe but was up to something altogether less conventional. What would happen if these two cousins met? I wondered.
I hope you enjoy finding out, and, if you have read the first three Ravenhurst novels, meeting Eva and Sebastian, young Freddie and the indomitable Lady James again.
Coming next will be The Notorious Mr Hurst. Lady Maude Templeton, having escaped marriage to Ravenhurst cousin Gareth Morant (The Shocking Lord Standon), has already fallen for the entirely inappropriate attractions of theater owner Eden Hurst. She knows what she wants, and is not used to being thwarted, but this time it looks as though everyone—from Society to the gentleman himself—is set on her not getting her heart’s desire.
Louise Allen
THE DISGRACEFUL
MR. RAVENHURST
Those Scandalous Ravenhursts
Available from Harlequin® Historical and
LOUISE ALLEN
The Earl’s Intended Wife #793
The Society Catch #809
Moonlight and Mistletoe #830
A Most Unconventional Courtship #849
Virgin Slave, Barbarian King #877
No Place for a Lady #892
*The Dangerous Mr. Ryder #903
*The Outrageous Lady Felsham #907
*The Shocking Lord Standon #911
*The Disgraceful Mr. Ravenhurst #951
Other works include:
Harlequin Books
Hot Desert Nights
“Desert Rake”
Harlequin Historical
Undone eBook
*Disrobed and Dishonored
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Giles Fitzhenry is a born warrior. Lady Fayth is a Saxon heiress, forced to marry this Breton conqueror. Though she yearns to be rid of him, a deep desire ignites each time she holds her new husband’s piercing gaze. Giles has conquered all: title, lands and respect. But the ultimate battle is for his new lady’s love—and her utter surrender.
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Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Afterword
Chapter One
August 1816—Vezelay, Burgundy
The naked female figure danced in timeless sensual abandon, revelling in the provocation of her blatant sexuality. The face of the hapless man watching her was etched with mingled despair and lust as he reached out for her, blind and deaf to the imploring prayers of the holy man who watched the scene unfold from behind a pillar.
It was hard to see the detail clearly in the shadows, and having to crane her neck upwards did not help, but the scene was unmistakable—and who was at fault, equally plain.
‘Honestly! Men!’ Exasperated, Elinor stepped backwards, furled parasol, rigid sketch book, sharp elbows and sensible boots, every one of them an offensive weapon.
‘Ough!’ The gasp from behind her as she made contact with something solid, large and obviously male, was agonised. ‘I beg your pardon,’ the voice continued on a croak as she swung round, fetching the man an additional thwack with her easel.
‘What for?’ she demanded, startled out of her customary good manners as she turned to face the doubled-up figure of her victim. ‘I struck you, sir. I should apologise, not you.’
As he straightened up to a not inconsiderable height, a shaft of sunlight penetrated the cracked glass of the high window, illuminating a head of dark red hair that put her own tawny locks to shame. ‘You were expressing dissatisfaction with the male sex, ma’am; I was apologising on behalf of my brothers for whatever sin we are guilty of this time.’ His tone was meek, but she was not deceived—there was strength in the deep voice and a thread of wicked amusement.
Yes, said a voice inside Elinor’s head. Yes. At last. She shook her head, blinking away the sun dazzle and whatever idiocy her mind was up to, and stepped to one side to see her victim better. He was smiling, a conspiratorial twist of his lips that transformed a strong but not particularly distinguished face into one that was disarmingly attractive. Somehow he had succeeded in charming an answering smile out of her.
She was not, Elinor reminded herself sternly, given to smiling at st
range men. It must be part and parcel of hearing things. The voice had gone away now; no doubt it had been some trick of an echo in this cavernous place.
‘I was referring to that capital.’ Hampered by her armful of belongings she dumped them without ceremony on a nearby pew, keeping hold only of the furled parasol, partly as a pointer, partly because of its merits as a sharp implement. All men, her mother was apt to warn her, were Beasts. It was as well not to take risks with chance-met ones, even if they did appear to be polite English gentlemen. She gestured with the parasol towards the richly carved column top, Number 6B in her annotated sketches. ‘It is a Romanesque capital; that is to say—’
‘It was carved between 1120 and 1150 and is one of a notable series that makes the basilica of Vezelay an outstanding example of religious art of the period,’ he finished for her, sounding like an antiquarian paper on the subject.
‘Of course, I should have realised that, if you are visiting the basilica, you must understand architecture,’ she apologised, gazing round the wreckage of the once-great church. Outside of service times no one else was going to enter here on a whim. ‘Are you a clergyman, sir?’
‘Do I look like one?’ The stranger appeared mildly affronted by the suggestion.
‘Er…no.’ And he did not, although why that should be, Elinor had no idea. Many men of the cloth must have red hair. Some must also possess smiles that invited you to smile right back at a shared, and slightly irreverent, joke. And, without doubt, tall and athletic figures graced pulpits up and down the land.
‘Thank goodness for that.’ She noticed that he offered no explanation of himself in response to her question. ‘So…’ He tipped back his head, fisting his hands, one of which held his tall hat, on his hips to balance himself. ‘What exactly is it about this particular scene that merits your ire, ma’am?’
‘It shows, as usual, a man succumbing to his own base animal instincts and lack of self-control and blaming his subsequent moral downfall upon a woman,’ she said crisply.
‘I must say, your eyesight is excellent if you can deduce all that in this light.’
‘I have been studying the capitals for a week now with the aid of an opera glass; one gets one’s eye in.’ Elinor stared round at the nave, littered with crumbling masonry, broken pews and rubbish. ‘I have had to go round at least three times in an attempt to interpret as many as possible when the light is at its best. It is still possible to do that, but unless something is done very soon, I fear they may all fall or be damaged beyond repair or study. See the holes in the roof? The carvings must be exposed to the elements, even in here.’
‘You are a scholar, then?’ He was squinting upwards, his eyes fixed on the carved figures, frozen in their eternal masque of temptation and yielding. ‘Researching the iniquities of the medieval male mind, perhaps?’
‘My mother is the scholar, I am merely recording the carvings for her detailed study. She is an authority on the early churches of France and England.’ Elinor could have added that the medieval male mind probably differed little from its modern counterpart when it came to moral turpitude, but decided against it. It was not as though she had any experience of turpitude to base the assertion upon.
‘Indeed?’ The man switched his attention from the carving to her face and this time the smile lit up his eyes as well. They were green, she noticed. An unusual clear green, like water over pebbles, not the indeterminate hazel that looked back at her whenever she spared a glance in a glass to check that her bonnet was at least straight and there were no charcoal smudges on her nose. ‘I feel sure I should meet your respected parent. May I call?’
‘You are a scholar too?’ Elinor began to gather up her things, stuffing pencils, charcoal and paints into the battered leather satchel and swinging it over her shoulder. ‘I am joining her now, if you would care to accompany me.’
‘Let’s just say I have an interest in antiquities.’ He removed the easel from her hands, folded its legs up, lashed the straps around it with a competence that suggested he used one himself, and tucked it under his arm. There was a short struggle for possession of the stool, which he won, and for the parasol, which Elinor retained. ‘You are staying in Vezelay?’
‘Yes, we have been here seven days now. We are making our way down through France, visiting a number of the finer early cathedrals. Mama intends that we will remain at Vezelay for several weeks yet. Merci, monsieur.’ She smiled and nodded to the verger, who was wielding a broom and stirring up the gritty dust in the porch. ‘Sweeping seems pointless, he would be better employed on the roof with a tarpaulin.’
She dropped a coin into the outstretched hand of the beggar by the door and headed diagonally across the open space before the basilica, glancing up at her companion as she did so. ‘We have lodgings just down the hill here.’
There was something vaguely familiar about him, although she could not place it. It certainly made him easy to talk to. Normally Miss Ravenhurst would have contented herself with a polite inclination of the head and a murmured good day when she came across a male countryman to whom she had not been introduced. It would never have occurred to her to invite one back to their lodgings to meet Mama.
Perhaps it was the red hair, somewhat extinguished now as he clapped his hat back on his head. Being one of the red-headed Ravenhursts, she saw a less spectacular version of it every time she looked in the glass. It was generally considered to be a handicap in a lady, although if hers was less a good match for a chestnut horse and more the flame of well-polished mahogany by firelight as his was, she might have felt more reconciled to it. He seemed to have avoided freckles as well, she noticed with envy, but then, his skin was not as fair as hers was.
‘Here we are.’ It was only a few minutes’ walk down the steep main street, although it always took rather longer to toil back up the slippery cobbles to the basilica. The door was on the latch and she pushed it open, calling, ‘Mama? Are you at home? We have a visitor.’
‘In here, Elinor.’ She followed her mother’s voice through into the parlour, leaving her belongings on the hall bench and gesturing to the tall man to put the easel and stool down, too. At the sight of him, Lady James Ravenhurst rose to her feet from behind the table, its chequered cloth strewn with papers and books.
‘Mama, this gentleman is a scholar of antiquities who wishes to meet—’
‘Theophilus!’ Lady James lifted her quizzing glass to her eye and stared, for once clearly out of countenance.
Elinor stared, too. ‘Cousin Theo?’ Her disgraceful and disgraced cousin Theo? Here? ‘I haven’t seen you for years.’
‘Not since I was twelve, fifteen years ago,’ he agreed. ‘You must have been about seven. I wondered if it was you, Cousin Elinor.’
‘The hair, I suppose,’ she said, resigned to it being her most memorable feature. ‘I was ten,’ she added, ruthlessly honest. It was nice of him to pretend he thought she was only twenty-two now, and not an on-the-shelf spinster of almost twenty-six.
‘What are you doing here, Theophilus? I understood from your mama that you were undertaking the Grand Tour.’ Lady James gestured impatiently towards the chairs set around the stone hearth. ‘Sit.’
‘I am, you will agree, Aunt Louisa, somewhat old to be undertaking the Tour with a tutor to bear-lead me.’ Theo waited until the two women were seated, then took the remaining chair, crossing one long leg over the other and clasping his hands together. He appeared quite tame and domesticated, although a trifle large. If Elinor had imagined a dangerous rakehell, which she had been informed her cousin was, he would not look like this.
‘Mama uses the Tour as code for sent abroad in disgrace,’ he continued. ‘I am earning my living, avoiding English tourists and generally managing to keep my doings from the ears of my sainted papa.’
‘Your father, even if Bishop of Wessex, may not be a saint,’ his aunt said tartly, ‘but you have certainly tried his patience over the years, Theophilus. Where were you when the Corsican Monster returned
from exile last year, might I ask?’
‘Oh, here in France. I became a Swedish merchant for the duration of the troubles. I found it interfered very little with my business.’
Elinor found she was grappling with unsettling emotions. Of course, she was pleased to see her cousin. Any cousin. The Ravenhursts were a large and friendly clan. But something—the memory of that unsettling little voice in her head, perhaps?—replaced the calm contentment that was her usual internal state with a cold knot in her stomach. If she did not know better, she would think it disappointment.
‘What are you frowning about, Elinor?’ her mother enquired. ‘Nothing is more productive of lines on the forehead.’
‘A slight headache, that is all, Mama.’ She had met an intelligent, attractive man—Theo was certainly that, even if he was not exactly handsome—and he turned out not to be an intriguing stranger, but one of the Ravenhurst clan. A relative. So what was there to be disappointed about in that, other than the fact he would treat her like they all did, as Mama’s bluestocking assistant? An hour ago she would have said she wanted a man to talk to about as badly as she wanted to be back in London, sitting with the wallflowers in the chaperons’ corner through yet another hideous Season.
Whatever Cousin Theo’s business was, it appeared to be flourishing. She might not know much about fashion, but she knew quality when she saw it, and his boots, his breeches and the deceptively simple cut of his riding coat all whispered money in the most discreet manner.
‘Did you say business, Theophilus?’ Mama, as usual ignoring her own advice, was frowning at him now. ‘You are not in trade, I trust?’